OAU English Language 2020/2021 - Model Past Questions

Read the passages below and answer the questions that follow.
I dare not lift the veil that protects our tribal marriage customs and ceremonies from the eyes of outsiders. There is already too little in this world that is sacred; and what ngozi and I were required to 'go through during the next week must remain so.
I was deeply in debt by the time everything was over but I was absolutely satisfied with my mother's choice. Ngozi was indeed as African queen and she had the teeth and smile of goddess.
The maiden tutors had done their job well; she was completely efficient lover and mother. I brought her home with swelling pride, and began at once to save all I could spare towards the cost of acquiring my second wife.
My anti-western revolt was gaining momentum.

Read the passages below and answer the questions that follow.
I dare not lift the veil that protects our tribal marriage customs and ceremonies from the eyes of outsiders. There is already too little in this world that is sacred; and what ngozi and I were required to 'go through during the next week must remain so.
I was deeply in debt by the time everything was over but I was absolutely satisfied with my mother's choice. Ngozi was indeed as African queen and she had the teeth and smile of goddess.
The maiden tutors had done their job well; she was completely efficient lover and mother. I brought her home with swelling pride, and began at once to save all I could spare towards the cost of acquiring my second wife.
My anti-western revolt was gaining momentum.

Read the passages below and answer the questions that follow.
I dare not lift the veil that protects our tribal marriage customs and ceremonies from the eyes of outsiders. There is already too little in this world that is sacred; and what ngozi and I were required to 'go through during the next week must remain so.
I was deeply in debt by the time everything was over but I was absolutely satisfied with my mother's choice. Ngozi was indeed as African queen and she had the teeth and smile of goddess.
The maiden tutors had done their job well; she was completely efficient lover and mother. I brought her home with swelling pride, and began at once to save all I could spare towards the cost of acquiring my second wife.
My anti-western revolt was gaining momentum.

Read the passages below and answer the questions that follow.
I dare not lift the veil that protects our tribal marriage customs and ceremonies from the eyes of outsiders. There is already too little in this world that is sacred; and what ngozi and I were required to 'go through during the next week must remain so.
I was deeply in debt by the time everything was over but I was absolutely satisfied with my mother's choice. Ngozi was indeed as African queen and she had the teeth and smile of goddess.
The maiden tutors had done their job well; she was completely efficient lover and mother. I brought her home with swelling pride, and began at once to save all I could spare towards the cost of acquiring my second wife.
My anti-western revolt was gaining momentum.

Read the passages below and answer the questions that follow.
I dare not lift the veil that protects our tribal marriage customs and ceremonies from the eyes of outsiders. There is already too little in this world that is sacred; and what ngozi and I were required to 'go through during the next week must remain so.
I was deeply in debt by the time everything was over but I was absolutely satisfied with my mother's choice. Ngozi was indeed as African queen and she had the teeth and smile of goddess.
The maiden tutors had done their job well; she was completely efficient lover and mother. I brought her home with swelling pride, and began at once to save all I could spare towards the cost of acquiring my second wife.
My anti-western revolt was gaining momentum.

PASSAGE II
With the advent of projection in 1895 - 1986, motion picture became the ultimate form of mass consumption, the viewer's relationship with the image was no longer private, as a the earlier peep-show devices, such as kinetoscope and mutoscope, which was a similar machine that reproduced motion by means of successive images on individual photographic cards, instead of on strips of celluloid. it suddenly became public an experience that the viewer shared with dozens, scores and even hundred of others. at the same time, the image that the spectator looked at expanded from minuscule peep-show dimensions of one or two inches (in height) to the life-size proportions of six or nine feet.

PASSAGE II
With the advent of projection in 1895 - 1986, motion picture became the ultimate form of mass consumption, the viewer's relationship with the image was no longer private, as a the earlier peep-show devices, such as kinetoscope and mutoscope, which was a similar machine that reproduced motion by means of successive images on individual photographic cards, instead of on strips of celluloid. it suddenly became public an experience that the viewer shared with dozens, scores and even hundred of others. at the same time, the image that the spectator looked at expanded from minuscule peep-show dimensions of one or two inches (in height) to the life-size proportions of six or nine feet.

PASSAGE II
With the advent of projection in 1895 - 1986, motion picture became the ultimate form of mass consumption, the viewer's relationship with the image was no longer private, as a the earlier peep-show devices, such as kinetoscope and mutoscope, which was a similar machine that reproduced motion by means of successive images on individual photographic cards, instead of on strips of celluloid. it suddenly became public an experience that the viewer shared with dozens, scores and even hundred of others. at the same time, the image that the spectator looked at expanded from minuscule peep-show dimensions of one or two inches (in height) to the life-size proportions of six or nine feet.

PASSAGE II
With the advent of projection in 1895 - 1986, motion picture became the ultimate form of mass consumption, the viewer's relationship with the image was no longer private, as a the earlier peep-show devices, such as kinetoscope and mutoscope, which was a similar machine that reproduced motion by means of successive images on individual photographic cards, instead of on strips of celluloid. it suddenly became public an experience that the viewer shared with dozens, scores and even hundred of others. at the same time, the image that the spectator looked at expanded from minuscule peep-show dimensions of one or two inches (in height) to the life-size proportions of six or nine feet.

PASSAGE II
With the advent of projection in 1895 - 1986, motion picture became the ultimate form of mass consumption, the viewer's relationship with the image was no longer private, as a the earlier peep-show devices, such as kinetoscope and mutoscope, which was a similar machine that reproduced motion by means of successive images on individual photographic cards, instead of on strips of celluloid. it suddenly became public an experience that the viewer shared with dozens, scores and even hundred of others. at the same time, the image that the spectator looked at expanded from minuscule peep-show dimensions of one or two inches (in height) to the life-size proportions of six or nine feet.