Question 1
A bitter remark intended to wound the feelings is
Objective
WAEC Literature in English 2007 Past Questions
Practice each question, then open it to see the full details.
Question 1
AFRICAN DRAMA
ATHOL FUGARD: Sizwe Bansi is Dead
Discuss the theme of racial discrimination in the play.
Theory
Question 2
''She waited for him for a thousand years'' illustrates
Objective
Question 2
AFRICAN DRAMA
ATHOL FUGARD: Sizwe Bansi is Dead
Comment on the use of comedy in the play.
Theory
Question 3
A literary device which expresses meaning in its direct opposite is
Objective
Question 3
AFRICAN DRAMA
JOE DE GRAFT: Sons and Daughters
Discuss the use of irony in the play
Theory
Question 4
''They also serve who only stand and wait'' illustrates
Objective
Question 4
AFRICAN DRAMA
JOE DE GRAFT: Sons and Daughters
Examine the relationship between James and his two children, Maanan and Aaron.
Theory
Question 5
Pick the odd item out of the options listed below
Objective
Question 5
NON-AFRICAN DRAMA
NIKOLAI GOGOL: The Government Inspector
How is corruption exposed in the play?
Theory
Question 6
In drama, ' denouement' is the same as
Objective
Question 6
NON-AFRICAN DRAMA
NIKOLAI GOGOL: The Government Inspector
Examine the use of mistaken identity in the play.
Theory
Question 7
Which of the following is NOT true of balled?
Objective
Question 7
NON-AFRICAN DRAMA
ROBERT BOLT: A Man For All Seasons
How does Thomas More demonstrate moral uprightness in the play?
Theory
Question 8
Read the extract and answer the question
My heart leaps up when I behold
A rainbow in the sky:
So was it when my life began,
So is it now that I am a man,
So be it when I shall grow
The child is father of the man
The mood of the poem is that of
My heart leaps up when I behold
A rainbow in the sky:
So was it when my life began,
So is it now that I am a man,
So be it when I shall grow
The child is father of the man
The mood of the poem is that of
Objective
Question 8
NON-AFRICAN DRAMA
ROBERT BOLT: A Man For All Seasons
Examine the role of the common man in the play.
Theory
Question 9
Read the extract and answer the question
My heart leaps up when I behold
A rainbow in the sky:
So was it when my life began,
So is it now that I am a man,
So be it when I shall grow
The child is father of the man
The rhyme scheme of the poem is
My heart leaps up when I behold
A rainbow in the sky:
So was it when my life began,
So is it now that I am a man,
So be it when I shall grow
The child is father of the man
The rhyme scheme of the poem is
Objective
Question 9
AFRICAN POETRY
Discuss the theme of love in Seghor's I will pronounce your name
Theory
Question 10
Read the extract and answer the question
My heart leaps up when I behold
A rainbow in the sky:
So was it when my life began,
So is it now that I am a man,
So be it when I shall grow
The child is father of the man
The subject of the extract is
My heart leaps up when I behold
A rainbow in the sky:
So was it when my life began,
So is it now that I am a man,
So be it when I shall grow
The child is father of the man
The subject of the extract is
Objective
Question 10
AFRICAN POETRY
Comment on the theme of conflict of cultures in Kobena Acquah's In the navel of the Soul
Theory
Question 11
Read the extract and answer the question
My heart leaps up when I behold
A rainbow in the sky:
So was it when my life began,
So is it now that I am a man,
So be it when I shall grow
The child is father of the man
The literary device used in line 1 is
My heart leaps up when I behold
A rainbow in the sky:
So was it when my life began,
So is it now that I am a man,
So be it when I shall grow
The child is father of the man
The literary device used in line 1 is
Objective
Question 11
NON-AFRICAN POETRY
Comment on Frost's use of symbolism in The Road Not Taken.
Theory
Question 12
Read the extract and answer the question
My heart leaps up when I behold
A rainbow in the sky:
So was it when my life began,
So is it now that I am a man,
So be it when I shall grow
The child is father of the man
The literary device used in line 6 is an example of
My heart leaps up when I behold
A rainbow in the sky:
So was it when my life began,
So is it now that I am a man,
So be it when I shall grow
The child is father of the man
The literary device used in line 6 is an example of
Objective
Question 12
NON-AFRICAN POETRY
How does Houseman present the theme of death in the poem To an Athlete Dying Young?
Theory
Question 13
''Forty hands descended on the devilish head'' illustrates
Objective
Question 13
AFRICAN PROSE
BUCHI EMECHETA: The Joys of Motherhood
Examine Emecheta's use of irony in the novel.
Theory
Question 14
Pick the odd item out of the options listed below:
Objective
Question 14
AFRICAN PROSE
BUCHI EMECHETA: The Joys of Motherhood
What role does superstition play in the novel?
Theory
Question 15
A deliberate violation of the rules of verification constitutes
Objective
Question 15
AFRICAN PROSE
ISIDORE OKPEWHO: The Last Duty
In what ways does Toje contribute to Oshevire's tragedy?
Theory
Question 16
A praise poem is
Objective
Question 16
AFRICAN PROSE
ISIDORE OKPEWHO: The Last Duty
With reference to the text, discuss the theme of war
Theory
Question 17
Lines of regular recurrence in a poem constitutes
Objective
Question 17
NON-AFRICAN PROSE
GEORGE ELIOT: Silas Marner
Compare and contrast Silas' life in Lantern yard and Raveloe.
Theory
Question 18
An individual who acts, appears or is referred to as playing a part in a literary work is a
Objective
Question 18
NON-AFRICAN PROSE
GEORGE ELIOT: Silas Marner
Examine the use of superstition in the novel.
Theory
Question 19
A regular group of lines in poetry constitutes
Objective
Question 19
NON-AFRICAN PROSE
RICHARD WRIGHT: Black Boy
Discuss the relationship between Richard and his father.
Theory
Question 20
''A black beautiful brilliant bride'' is an example of
Objective
Question 20
NON-AFRICAN PROSE
RICHARD WRIGHT: Black Boy
What are the causes of Richard's problems with Aunt Addie?
Theory
Question 21
UNSEEN POETRY AND PROSE
Read the poem and answer the question
Bent-double, like old beggars under sacks,
Knock-kneed, coughing like hags, we curse through sludge
Till on the haunting flares we turned our backs,
And towards our distant rest began to trudge,
Men marched asleep, many had lost their boots,
But limped on, blood-shed. All went lame, all blind;
Drunk with fatigue; even deaf to the hoots
Of gas-shells dropping softy behind.
The extract conveys a mood of
Read the poem and answer the question
Bent-double, like old beggars under sacks,
Knock-kneed, coughing like hags, we curse through sludge
Till on the haunting flares we turned our backs,
And towards our distant rest began to trudge,
Men marched asleep, many had lost their boots,
But limped on, blood-shed. All went lame, all blind;
Drunk with fatigue; even deaf to the hoots
Of gas-shells dropping softy behind.
The extract conveys a mood of
Objective
Question 22
UNSEEN POETRY AND PROSE
Read the poem and answer the question
Bent-double, like old beggars under sacks,
Knock-kneed, coughing like hags, we curse through sludge
Till on the haunting flares we turned our backs,
And towards our distant rest began to trudge,
Men marched asleep, many had lost their boots,
But limped on, blood-shed. All went lame, all blind;
Drunk with fatigue; even deaf to the hoots
Of gas-shells dropping softy behind.
The dominant figure of speech in the first stanza is
Read the poem and answer the question
Bent-double, like old beggars under sacks,
Knock-kneed, coughing like hags, we curse through sludge
Till on the haunting flares we turned our backs,
And towards our distant rest began to trudge,
Men marched asleep, many had lost their boots,
But limped on, blood-shed. All went lame, all blind;
Drunk with fatigue; even deaf to the hoots
Of gas-shells dropping softy behind.
The dominant figure of speech in the first stanza is
Objective
Question 23
UNSEEN POETRY AND PROSE
Read the poem and answer the question
Bent-double, like old beggars under sacks,
Knock-kneed, coughing like hags, we curse through sludge
Till on the haunting flares we turned our backs,
And towards our distant rest began to trudge,
Men marched asleep, many had lost their boots,
But limped on, blood-shed. All went lame, all blind;
Drunk with fatigue; even deaf to the hoots
Of gas-shells dropping softy behind.
The expression Drunk with fatigue illustrates
Read the poem and answer the question
Bent-double, like old beggars under sacks,
Knock-kneed, coughing like hags, we curse through sludge
Till on the haunting flares we turned our backs,
And towards our distant rest began to trudge,
Men marched asleep, many had lost their boots,
But limped on, blood-shed. All went lame, all blind;
Drunk with fatigue; even deaf to the hoots
Of gas-shells dropping softy behind.
The expression Drunk with fatigue illustrates
Objective
Question 24
UNSEEN POETRY AND PROSE
Read the poem and answer the question
Bent-double, like old beggars under sacks,
Knock-kneed, coughing like hags, we curse through sludge
Till on the haunting flares we turned our backs,
And towards our distant rest began to trudge,
Men marched asleep, many had lost their boots,
But limped on, blood-shed. All went lame, all blind;
Drunk with fatigue; even deaf to the hoots
Of gas-shells dropping softy behind.
The rhyme scheme of the first stanza is
Read the poem and answer the question
Bent-double, like old beggars under sacks,
Knock-kneed, coughing like hags, we curse through sludge
Till on the haunting flares we turned our backs,
And towards our distant rest began to trudge,
Men marched asleep, many had lost their boots,
But limped on, blood-shed. All went lame, all blind;
Drunk with fatigue; even deaf to the hoots
Of gas-shells dropping softy behind.
The rhyme scheme of the first stanza is
Objective
Question 25
UNSEEN POETRY AND PROSE
Read the poem and answer the question
Bent-double, like old beggars under sacks,
Knock-kneed, coughing like hags, we curse through sludge
Till on the haunting flares we turned our backs,
And towards our distant rest began to trudge,
Men marched asleep, many had lost their boots,
But limped on, blood-shed. All went lame, all blind;
Drunk with fatigue; even deaf to the hoots
Of gas-shells dropping softy behind.
Sludge in the extract means
Read the poem and answer the question
Bent-double, like old beggars under sacks,
Knock-kneed, coughing like hags, we curse through sludge
Till on the haunting flares we turned our backs,
And towards our distant rest began to trudge,
Men marched asleep, many had lost their boots,
But limped on, blood-shed. All went lame, all blind;
Drunk with fatigue; even deaf to the hoots
Of gas-shells dropping softy behind.
Sludge in the extract means
Objective
Question 26
Read the passage and answer the question
world have been Heathcliff's miseries, and I watched and felt each from the beginning.My great thought in living is himself. If all else perished, and he remained, I should still continue to be. And if all else remained, and he were annihilated, the universe would be turned to a mighty stranger _ is should not seem a part of it. My love for Linton is like the foliage in the woods; time will change it, I'm well aware, as winter changes the trees. My love for Heathcliff resembles the eternal rocks beneath _ as source of little visible delight, but necessary. Nelly, I am Heathcliff!. He's always, always in my mind _ not as a pleasure to myself, but as my own being....
The speaker's love for Heathcliff is
world have been Heathcliff's miseries, and I watched and felt each from the beginning.My great thought in living is himself. If all else perished, and he remained, I should still continue to be. And if all else remained, and he were annihilated, the universe would be turned to a mighty stranger _ is should not seem a part of it. My love for Linton is like the foliage in the woods; time will change it, I'm well aware, as winter changes the trees. My love for Heathcliff resembles the eternal rocks beneath _ as source of little visible delight, but necessary. Nelly, I am Heathcliff!. He's always, always in my mind _ not as a pleasure to myself, but as my own being....
The speaker's love for Heathcliff is
Objective
Question 27
Read the passage and answer the question
world have been Heathcliff's miseries, and I watched and felt each from the beginning.My great thought in living is himself. If all else perished, and he remained, I should still continue to be. And if all else remained, and he were annihilated, the universe would be turned to a mighty stranger _ is should not seem a part of it. My love for Linton is like the foliage in the woods; time will change it, I'm well aware, as winter changes the trees. My love for Heathcliff resembles the eternal rocks beneath _ as source of little visible delight, but necessary. Nelly, I am Heathcliff!. He's always, always in my mind _ not as a pleasure to myself, but as my own being....
My love for Heathcliff resembles the eternal rocks beneath illustrates
world have been Heathcliff's miseries, and I watched and felt each from the beginning.My great thought in living is himself. If all else perished, and he remained, I should still continue to be. And if all else remained, and he were annihilated, the universe would be turned to a mighty stranger _ is should not seem a part of it. My love for Linton is like the foliage in the woods; time will change it, I'm well aware, as winter changes the trees. My love for Heathcliff resembles the eternal rocks beneath _ as source of little visible delight, but necessary. Nelly, I am Heathcliff!. He's always, always in my mind _ not as a pleasure to myself, but as my own being....
My love for Heathcliff resembles the eternal rocks beneath illustrates
Objective
Question 28
Read the passage and answer the question
world have been Heathcliff's miseries, and I watched and felt each from the beginning.My great thought in living is himself. If all else perished, and he remained, I should still continue to be. And if all else remained, and he were annihilated, the universe would be turned to a mighty stranger _ is should not seem a part of it. My love for Linton is like the foliage in the woods; time will change it, I'm well aware, as winter changes the trees. My love for Heathcliff resembles the eternal rocks beneath _ as source of little visible delight, but necessary. Nelly, I am Heathcliff!. He's always, always in my mind _ not as a pleasure to myself, but as my own being....
annihilated in the extract implies
world have been Heathcliff's miseries, and I watched and felt each from the beginning.My great thought in living is himself. If all else perished, and he remained, I should still continue to be. And if all else remained, and he were annihilated, the universe would be turned to a mighty stranger _ is should not seem a part of it. My love for Linton is like the foliage in the woods; time will change it, I'm well aware, as winter changes the trees. My love for Heathcliff resembles the eternal rocks beneath _ as source of little visible delight, but necessary. Nelly, I am Heathcliff!. He's always, always in my mind _ not as a pleasure to myself, but as my own being....
annihilated in the extract implies
Objective
Question 29
Read the passage and answer the question
world have been Heathcliff's miseries, and I watched and felt each from the beginning.My great thought in living is himself. If all else perished, and he remained, I should still continue to be. And if all else remained, and he were annihilated, the universe would be turned to a mighty stranger _ is should not seem a part of it. My love for Linton is like the foliage in the woods; time will change it, I'm well aware, as winter changes the trees. My love for Heathcliff resembles the eternal rocks beneath _ as source of little visible delight, but necessary. Nelly, I am Heathcliff!. He's always, always in my mind _ not as a pleasure to myself, but as my own being....
If all else perished and he remained illustrates
world have been Heathcliff's miseries, and I watched and felt each from the beginning.My great thought in living is himself. If all else perished, and he remained, I should still continue to be. And if all else remained, and he were annihilated, the universe would be turned to a mighty stranger _ is should not seem a part of it. My love for Linton is like the foliage in the woods; time will change it, I'm well aware, as winter changes the trees. My love for Heathcliff resembles the eternal rocks beneath _ as source of little visible delight, but necessary. Nelly, I am Heathcliff!. He's always, always in my mind _ not as a pleasure to myself, but as my own being....
If all else perished and he remained illustrates
Objective
Question 30
Read the passage and answer the question
world have been Heathcliff's miseries, and I watched and felt each from the beginning.My great thought in living is himself. If all else perished, and he remained, I should still continue to be. And if all else remained, and he were annihilated, the universe would be turned to a mighty stranger _ is should not seem a part of it. My love for Linton is like the foliage in the woods; time will change it, I'm well aware, as winter changes the trees. My love for Heathcliff resembles the eternal rocks beneath _ as source of little visible delight, but necessary. Nelly, I am Heathcliff!. He's always, always in my mind _ not as a pleasure to myself, but as my own being....
The diction of the extract conveys the speaker's
world have been Heathcliff's miseries, and I watched and felt each from the beginning.My great thought in living is himself. If all else perished, and he remained, I should still continue to be. And if all else remained, and he were annihilated, the universe would be turned to a mighty stranger _ is should not seem a part of it. My love for Linton is like the foliage in the woods; time will change it, I'm well aware, as winter changes the trees. My love for Heathcliff resembles the eternal rocks beneath _ as source of little visible delight, but necessary. Nelly, I am Heathcliff!. He's always, always in my mind _ not as a pleasure to myself, but as my own being....
The diction of the extract conveys the speaker's
Objective