WAEC Literature in English 2008 Past Questions
Practice each question, then open it to see the full details.
AFRICAN DRAMA
Athol Fugard: Sizwe Bansi is Dead
Examine the view that life is meaningless for the blacks in South Africa
AFRICAN DRAMA
Athol Fugard: Sizwe Bansi is Dead
Discuss two dramatic techniques in the play
AFRICAN DRAMA
Joe De Graft: Sons and Daughters
Discuss the character and the role of Aunt Fosuma in the play
AFRICAN DRAMA
Joe De Graft: Sons and Daughters
Discuss the conflict between the two youngest children and their father in the play.
NON-AFRICAN DRAMA
NIKOLAI GOGOL: The Government Inspector
Discuss the significance of the encounter between the protesters and Hlestakov in the Mayor's house.
NON-AFRICAN DRAMA
NIKOLAI GOGOL: The Government Inspector
Examine the character of the Postmaster and his contribution to the play.
NON-AFRICAN DRAMA
ROBERT BOLT: A Man For All Seasons
Discuss the decline of values in the play
NON-AFRICAN DRAMA
ROBERT BOLT: A Man For All Seasons
Discuss the theme of friendship and betrayal in the play.
AFRICAN POETRY
Discuss contrast as a poetic device in "In the navel of the soul."
AFRICAN POETRY
How does Rubadiri use language to portray the effects of the storm in "An African Thunderstorm"?
NON-AFRICAN POETRY
What is the poet's attitude to affliction in "On His Blindness"?
NON-AFRICAN POETRY
Discuss the theme of change in Yeat's "The Second Coming."
AFRICAN PROSE
BUCHI EMECHETA: The Joys of Motherhood
Discuss three instances of conflict in the novel.
AFRICAN PROSE
BUCHI EMECHETA: The Joys of Motherhood
Discuss Emecheta's narrative technique in the novel
AFRICAN PROSE
ISIDORE OKPEWHO: The Last Duty
Comment on the theme of rivalry in the novel
AFRICAN PROSE
ISIDORE OKPEWHO: The Last Duty
Comment on the theme of rivalry in the novel
NON-AFRICAN PROSE
GEORGE ELIOT: Scilas Manner
Discuss the theme of betrayal in the novel.
NON-AFRICAN PROSE
GEORGE ELIOT: Scilas Manner
With evidence from the novel, show that "One reaps what one sows."
NON-AFRICAN PROSE
RICHARD WRIGHT: Black Boy
Examine the factors that make Richard a distinct personality.
NON-AFRICAN PROSE
RICHARD WRIGHT: Black Boy
Discuss the contributions of Mr. Crane and Mr Olin to the development of the plot.
Read the poem and answer the question
At the onset of the rain
The drought-stricken land
Suck up the wetness
And the gates to the field
Are flung widely open.
It is the signal for planting!
It is time for joyous toiling!
At various times of day
The hard and erect hoe
Would thrust and dig deep
Into the receiving wet soil.
Seeds on different quantities
Seeds of varying potency
Are broadcasted in layers
Into the womb of the earth
With time and much labour
The seed now transformed
Blossoms and grows into new life!
The subject matter of the extract is
Read the poem and answer the question
At the onset of the rain
The drought-stricken land
Suck up the wetness
And the gates to the field
Are flung widely open.
It is the signal for planting!
It is time for joyous toiling!
At various times of day
The hard and erect hoe
Would thrust and dig deep
Into the receiving wet soil.
Seeds on different quantities
Seeds of varying potency
Are broadcasted in layers
Into the womb of the earth
With time and much labour
The seed now transformed
Blossoms and grows into new life!
The dominant device used in the extract is
Read the poem and answer the question
At the onset of the rain
The drought-stricken land
Suck up the wetness
And the gates to the field
Are flung widely open.
It is the signal for planting!
It is time for joyous toiling!
At various times of day
The hard and erect hoe
Would thrust and dig deep
Into the receiving wet soil.
Seeds on different quantities
Seeds of varying potency
Are broadcasted in layers
Into the womb of the earth
With time and much labour
The seed now transformed
Blossoms and grows into new life!
''The hard and erect hoe'' connotes
Read the poem and answer the question
At the onset of the rain
The drought-stricken land
Suck up the wetness
And the gates to the field
Are flung widely open.
It is the signal for planting!
It is time for joyous toiling!
At various times of day
The hard and erect hoe
Would thrust and dig deep
Into the receiving wet soil.
Seeds on different quantities
Seeds of varying potency
Are broadcasted in layers
Into the womb of the earth
With time and much labour
The seed now transformed
Blossoms and grows into new life!
''Joyous toiling'' is an example of
Read the poem and answer the question
At the onset of the rain
The drought-stricken land
Suck up the wetness
And the gates to the field
Are flung widely open.
It is the signal for planting!
It is time for joyous toiling!
At various times of day
The hard and erect hoe
Would thrust and dig deep
Into the receiving wet soil.
Seeds on different quantities
Seeds of varying potency
Are broadcasted in layers
Into the womb of the earth
With time and much labour
The seed now transformed
Blossoms and grows into new life!
The last line of the extract suggested the
Ralph wormed his way though the thicket towards the forest, keeping as far as possible beneath the smoke. Presently, he saw an open space and the green leaves of the edge of the thicket . A smallish savage was standing between him and the rest of the forest, a savage striped red and white, and carrying a spear. He was coughing, and smearing the paint about his eyes with the back of his hand as he tried to see through the increasing smoke.
Ralph launched himself like a cat: stabbed, snarling, with the spear, and the savage doubled up. There was a shout from beyond the thicket and then Ralph was running with the swiftness of fear through the undergrowth. He came to a pig-run, followed it for perhaps a hundred yards and then swerved off. Behind him the ululation swept across the island once more and a single voice shouted three times. He guessed that was the signal to advance and sped away again till his chest was like fire.
Then he flung himself down under a bush and waited for a moment till his breathing steadied. He passed his tongue tentatively over his teeth and lips and heard far off the ululation of the pursuers.
The passage is
Ralph wormed his way though the thicket towards the forest, keeping as far as possible beneath the smoke. Presently, he saw an open space and the green leaves of the edge of the thicket . A smallish savage was standing between him and the rest of the forest, a savage striped red and white, and carrying a spear. He was coughing, and smearing the paint about his eyes with the back of his hand as he tried to see through the increasing smoke.
Ralph launched himself like a cat: stabbed, snarling, with the spear, and the savage doubled up. There was a shout from beyond the thicket and then Ralph was running with the swiftness of fear through the undergrowth. He came to a pig-run, followed it for perhaps a hundred yards and then swerved off. Behind him the ululation swept across the island once more and a single voice shouted three times. He guessed that was the signal to advance and sped away again till his chest was like fire.
Then he flung himself down under a bush and waited for a moment till his breathing steadied. He passed his tongue tentatively over his teeth and lips and heard far off the ululation of the pursuers.
''Ralph wormed his way'' is an example of
Ralph wormed his way though the thicket towards the forest, keeping as far as possible beneath the smoke. Presently, he saw an open space and the green leaves of the edge of the thicket . A smallish savage was standing between him and the rest of the forest, a savage striped red and white, and carrying a spear. He was coughing, and smearing the paint about his eyes with the back of his hand as he tried to see through the increasing smoke.
Ralph launched himself like a cat: stabbed, snarling, with the spear, and the savage doubled up. There was a shout from beyond the thicket and then Ralph was running with the swiftness of fear through the undergrowth. He came to a pig-run, followed it for perhaps a hundred yards and then swerved off. Behind him the ululation swept across the island once more and a single voice shouted three times. He guessed that was the signal to advance and sped away again till his chest was like fire.
Then he flung himself down under a bush and waited for a moment till his breathing steadied. He passed his tongue tentatively over his teeth and lips and heard far off the ululation of the pursuers.
The literary device used in ''Ralph launched himself like a cat'' is
Ralph wormed his way though the thicket towards the forest, keeping as far as possible beneath the smoke. Presently, he saw an open space and the green leaves of the edge of the thicket . A smallish savage was standing between him and the rest of the forest, a savage striped red and white, and carrying a spear. He was coughing, and smearing the paint about his eyes with the back of his hand as he tried to see through the increasing smoke.
Ralph launched himself like a cat: stabbed, snarling, with the spear, and the savage doubled up. There was a shout from beyond the thicket and then Ralph was running with the swiftness of fear through the undergrowth. He came to a pig-run, followed it for perhaps a hundred yards and then swerved off. Behind him the ululation swept across the island once more and a single voice shouted three times. He guessed that was the signal to advance and sped away again till his chest was like fire.
Then he flung himself down under a bush and waited for a moment till his breathing steadied. He passed his tongue tentatively over his teeth and lips and heard far off the ululation of the pursuers.
The writer's diction portrays
Read the extract and answer the question
It is here,......thou art slain;
No medicine in the world can do thee good,
In thee there is not half an hour of life;
The treacherous instrument is in thy hand,
Unbated and envenom d: the foul practice
Hath turn'd itself on me; lo; here I lie,
(Act 5, Scene Two, Lines 298-303)
The speaker is