SECTION E: African Prose
AMMA DARKO: Faceless
Comment on the role of Fofo in the novel.
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SECTION E: African Prose
AMMA DARKO: Faceless
Comment on the role of Fofo in the novel.
SECTION E: African Prose
AMMA DARKO: Faceless
Discuss parental negligence in the novel.
SECTION E - African Prose
BAYO ADEBOWALE: Lonely Days
How do the men of Kufi behave towards their women?
SECTION E - African Prose
BAYO ADEBOWALE: Lonely Days
Discuss Yaremi’s marriage in the novel.
SECTION F: NON - AFRICAN PROSE
NATIVE SON - RICHARD WRIGHT
What is Bigger’s attitude towards religion?
SECTION F: NON - AFRICAN PROSE
RICHARD WRIGHT: Native Son
How are the Daltons portrayed in the novel?
SECTION F: NON-AFRICAN PROSE
HORACE WALPOLE: The Castle of Otranto
Comment on the evil that befalls Prince Manfred.
SECTION F: NON-AFRICAN PROSE
HORACE WALPOLE: The Castle of Otranto
Examine the role of Theodore in the novel.
SECTION A: African Drama
DELE CHARLEY: The Blood of a Stranger
Assess King Santigi V as an unwise ruler.
SECTION A: African Drama
DELE CHARLEY: The Blood of a Stranger
Examine the theme of deceit and intrigue in the drama.
Section A: AFRICAN DRAMA
FRANK OGODO OGBECHE - Harvest of Corruption
To what extent can Aloho’s tragedy be blamed on the society?
Section A: AFRICAN DRAMA
FRANK OGODO OGBECHE - Harvest of Corruption
Why does Ogeyi dislike Ochuole?
Section B: NON AFRICAN DRAMA
LORRAINE HANSBERRY - A Raisin In The Sun
Compare the characters of Mama and Beneatha in the play.
Section B: NON AFRICAN DRAMA
LORRAINE HANSBERRY - A Raisin In The Sun
Comment on Beneatha’s relationship with Joseph Asagai and George Murchison.
Section B: NON - AFRICAN DRAMA
OLIVER GOLDSMITH - SHE STOOPS TO CONQUER
Consider the attitude of Mr. and Mrs. Hardcastle towards Tony Lumpkin.
Section B: NON - AFRICAN DRAMA
OLIVER GOLDSMITH - SHE STOOPS TO CONQUER
Discuss the role of Tony Lumpkin in connection with any three mistakes in the play.
SECTION C: AFRICAN POETRY
Examine the tone and mood of the poem, “Ambush”.
Explain the poet’s attitude to African traditional culture in “Vanity”.
SECTION D: NON-AFRICAN POETRY
How does the boy justify his reluctance to go to school?
Examine three features of metaphysical poetry in “The Pulley”.
SECTION E: African Prose
AMMA DARKO: Faceless
Discuss the significance of Agbogbloshie Market in the novel.
SECTION A: African Drama
DELE CHARLEY: The Blood of a Stranger
Examine the role of the shrine in the culture of Mando Land.
SECTION A: African Drama
DELE CHARLEY: The Blood of a Stranger
How does the relationship between Santigi and Kindo affect the future of Mando land?
Examine the poet’s use of sight and sound images in Frost’s Birches.
Discuss the defects of a summer’s day as highlighted by the poet in Shall I Compare Thee to a Summer’s Day?
Examine the persona’s resolve to be a revolutionary in The Dining Table.
Comment on the poet’s use of rhetorical question in Vanity.
Section B: NON - AFRICAN DRAMA
OLIVER GOLDSMITH - SHE STOOPS TO CONQUER
Discuss the information provided by Act 1, Scene 1 and how it advances the plot of the play.
Section B: NON - AFRICAN DRAMA
OLIVER GOLDSMITH - SHE STOOPS TO CONQUER
Discuss the view that Tony is to blame for the failure of Hastings’ plan to elope with Constance.
Section B: NON AFRICAN DRAMA
LORRAINE HANSBERRY - A Raisin In The Sun
Consider the relationship between Mama and Travis.
Section B: NON AFRICAN DRAMA
LORRAINE HANSBERRY - A Raisin In The Sun
Comment on the character and role of Asagai in the play.
Section A: AFRICAN DRAMA
FRANK OGODO OGBECHE - Harvest of Corruption
How is ACP Yakubu presented in the play?
Section A: AFRICAN DRAMA
FRANK OGODO OGBECHE - Harvest of Corruption
Consider any three dramatic elements used to develop the plot.